
Battlestar Galactica: Justin Stephens
Battlestar Galactica (airing Fridays at 10 p.m. on Sci-Fi) always seems to enter a new season with a collective gripe from both the fervent fanboys and television critics: "Why is it that no one bothers to watch this brilliant, brilliant show?" To which I say: "Have you heard the title?" Would you get an emotionally taut, deftly relevant, celestial drama centered around the human condition out of a title like Battlestar Galactica? That airs on Friday nights on Sci-Fi, home of such lowbrow fare like Rock Monster?
You wouldn't, and that's Battlestar's greatest accomplishment -- it turned what was supposed to be a rehashed "re-imagining" of the cornfest 1978 ABC series into one of TV's most important series, delving deep into raw human emotion without ever sacrificing what most of the marginal fan base initially signed-up for: star-dotted laser battles, dangerously attractive women, an intrinsic, overarching mythology, and deep, inside-baseball colloquialisms that would signify "frak" as the go-to replacement for another four-letter expletive. The geeks and intellectuals can hang out together, and no one loses any fingers. It's a polarizing effect.
And like the fanboys always cry, Battlestar Galactica has never been about science fiction. It's an allegory that just so happens to be set in a different reality, one where the human race has been whittled down to less than 50,000, and Earth is merely a story in a book. Oh, and there's the Cylons (a mechanical race created by humans as quintessential slaves), whose evolution into thinking, breathing, humanoid beings has been the series' centerpiece sticking point, facilitating many a tale of politics, religion, and humanity.
Its fourth and (sadly) final season picks-up immediately where we left season 3 -- with Lee "Apollo" Adama (Jamie Bamber) ascending a throng of Cylon battleships as Kara "Starbuck" Thrace (Katee Sackhoff) glides next to him, telling him that she's been to Earth, and knows how to get them there. This comes after she was assumed dead -- for nearly six months in the show's timeline.
What else happens I can't say -- Sci-Fi is putting everyone who received a screener under a strict confidentiality agreement. All I can say is this: Starbuck's return creates palpable tension amongst the crew, Baltar's (the wonderfully teary James Callis) significance will be made clear, and the opening and closing minutes are important to the mythology. One more thing: it's fraking good. Grade: A-
[UPDATE: Battlestar Galactica airs Fridays at 10 p.m. on Sci-Fi. Also: trackbacks have been enabled.]